Kiln Theatre in association with Jamie Wilson Productions and Mark Cortale presents
Table 17
by Douglas Lyons
Two exes. One dinner. What could go wrong?
Would you go to dinner with your ex? The one you were engaged to, but haven’t spoken to in years? You’re over them – right?!
Jada and Dallas are hashing things out in this sharp, hilarious new comedy. Can they leave 7 years of baggage at the door to give their love a second chance? Is the spark even still there? Or will the weight of their past pull them apart before the night ends?
Following sold out runs in New York and LA, Douglas Lyons‘ (Chicken & Biscuits) award-winning play, directed byTony nominated Zhailon Levingston (CATS The Jellicle Ball), makes its UK premiere at Kiln. Featuring Marisha Wallace as Jada, with further casting to be announced, get ready to give love a second chance this autumn.
Important Information
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Special Performances
Alcohol Free Performance: 5 October, 7.30pm
Post show Q&A and Supporters’ Evening: 1 October, 7.30pm
Supporters’ Matinee: 7 October, 2.30pm
Access Performances
Audio Described Performance, preceded by a Touch Tour: 22 October, 7.30pm
Captioned Performance: 8 October, 7.30pm
Relaxed Performance: 14 October, 2.30pm
Click here for Access information. If you have any questions about any of our services or need assistance in arranging your visit please get in touch: 020 7328 1000 or Access@KilnTheatre.com.
Ticket Prices
£15 – £45
Duration
1 hour and 25 minutes with no interval
Dates
17 Sep - 24 Oct 2026Select a performance
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September
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Thursday 17th September7:30PMpreviewBook Now
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Friday 18th September7:30PMpreviewBook Now
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Saturday 19th September7:30PMpreviewBook Now
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Monday 21st September7:30PMpreviewBook Now
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Tuesday 22nd September7:30PMpreviewBook Now
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Wednesday 23rd September7:30PMpreviewBook Now
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Thursday 24th September7:00PMopening nightSold Out
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Book NowFriday 25th September7:30PM
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Saturday 26th September2:30PMmatineeBook Now
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Book NowSaturday 26th September7:30PM
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Book NowMonday 28th September7:30PM
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Book NowTuesday 29th September7:30PM
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Wednesday 30th September2:30PMmatineeBook Now
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Book NowWednesday 30th September7:30PM
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October
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Thursday 1st October7:30PMpost show q and aBook Now
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Book NowFriday 2nd October7:30PM
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Saturday 3rd October2:30PMmatineeBook Now
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Book NowSaturday 3rd October7:30PM
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Monday 5th October7:30PMalcohol free performanceBook Now
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Book NowTuesday 6th October7:30PM
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Wednesday 7th October2:30PMmatineeBook Now
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Book NowWednesday 7th October7:30PM
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Thursday 8th October7:30PMcaptioned performanceBook Now
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Book NowFriday 9th October7:30PM
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Saturday 10th October2:30PMmatineeBook Now
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Book NowSaturday 10th October7:30PM
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Book NowMonday 12th October7:30PM
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Book NowTuesday 13th October7:30PM
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Wednesday 14th October2:30PMrelaxed performance and matineeBook Now
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Book NowWednesday 14th October7:30PM
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Book NowThursday 15th October7:30PM
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Book NowFriday 16th October7:30PM
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Saturday 17th October2:30PMmatineeBook Now
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Book NowSaturday 17th October7:30PM
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Book NowMonday 19th October7:30PM
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Book NowTuesday 20th October7:30PM
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Wednesday 21st October2:30PMmatineeBook Now
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Book NowWednesday 21st October7:30PM
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Thursday 22nd October7:30PMaudio described performanceBook Now
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Book NowFriday 23rd October7:30PM
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Saturday 24th October2:30PMmatineeBook Now
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Book NowSaturday 24th October7:30PM
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Cast
Marisha Wallace
Jada
Michael Rishawn
River/Eric
Michael Rishawn is an award-winning, classically trained actor whose work spans theatre, television, film, and voiceover. He is the recipient of a Lucille Lortel Award, an Outer Critics Circle Award, and Drama Desk recognition. He appeared on Broadway in Ain’t No Mo’ and originated roles in Table 17 (MCC Theater, Geffen Playhouse) and Handjob (Echo Theater Company). Additional stage work includes performances with L’Alliance New York at Florence Gould Hall and at Carnegie Hall.
Screen credits include And Just Like That…, FBI: Most Wanted, Raising Dion, Survival of the Thickest, Bunk’d and Crutch. He received classical theatre training in England as part of his formation at The Hartt School, trained at Shakespeare Theatre Company of DC under Michael Kahn, and holds an M.F.A. from UC San Diego.
Creative Team
Douglas Lyons
Writer
Douglas Lyons is a GLAAD, NAACP and Emmy nominated writer, an Audelco award-winning playwright, actor, and composer whose work has spanned Television, Broadway, Off-Broadway, and Film. Douglas served as a writer and composer on Apple TV’s Fraggle Rock. His Broadway playwriting debut Chicken and Biscuits was the 2nd most produced play in the U.S. in 2022-23. His other theatrical works include the Off Broadway hit: Beau, the Lucille Lortell award-winning Table 17, Don’t Touch My Hair, Polkadots, Five Points, Pure Glitter, and Mother. Daughter. Father. Son. Douglas’ Broadway acting credits include Beautiful, the Tony award-winning revival of Parade and the Book of Mormon. He is currently developing television with SkyDance and Ryan Reynolds’ Maximum Effort as well as writing the script for the stage adaption of the Warner Brothers animated classic Happy Feet.
Zhailon Levingston
Director
Now playing on Broadway at the Broadhurst Theater, Cats: The Jellicle Ball has received 9 Tony Award nominations, including Best Revival of a Musical and Best Direction of a Musical for Zhailon alongside co-director Bill Rauch.
Zhailon’s first “Broadway” job was selling tickets to Broadway shows in Times Square. In 2017, he sold concessions for multiple Broadway theatres. At 27 years old, he became the youngest Black director in Broadway history, directing the Broadway production of Chicken and Biscuits. His other directing credits include Wonderful Town at New York City Center Encores; Reconstructing at Brooklyn Academy of Music (co-directed with Rachel Chavkin); Little Miss Perfect (Olney Theatre Center); Patience at Second Stage Theatre; and Table 17 at MCC Theater (Lortel Award nominee for Outstanding Direction) and Los Angeles’ Geffen Playhouse (NAACP Theater Award nominee for Best Director of a stage play).
Levingston is the board chair of the Broadway Advocacy Coalition, Artistic Director of Inheritance Theatre Project, and co- created a ‘Theatre of Change’ course at Columbia University School of Law that is still being taught today. Once a year he returns to his hometown of Shreveport, Louisiana to direct theatre as a way to stay connected to his roots.