Nine Night

Sonya Cassidy

Sophie

Theatre credits include: The Prince Homburg (DonmarWarehouse); The Lion in Winter (Theatre Royal Haymarket); Inherit the Wind (Old Vic) and Mucky Kid (Latchmere Theatre).

Screen credits include: Star Trek: Star Fleet Academy series 2 (upcoming), Reacher, Honeymoon/Funeral (upcoming), Lodge 49, The Man Who Fell to Earth, Soulmates, Gumshoe, The Woman in White, Humans, Vera, The Paradise, Ripper Street, Endeavour, The Tudors, Inspector Lewis, Survivor, Breaking the Bank and The Fifth Estate.

Estella Daniels

Trudy

Estella Daniels is a talented actor, singer and dancer. She has an extensive list of theatre and television credits, which includes the upcoming BBC 1 mini-series Wahala. She featured in a recurring role for BBC’s Chloe and the ITV mini-series Litveneko. Some of her early work includes Sinbad, and the BBC’s hit detective dramady Death in Paradise.

Further screen credits include: Ashes to Ashes, Thorne and Da Vinci’s Demons. She is set to appear in the highly anticipated finale season of Outlander.

Theatre credits include: Racing Demon (Crucible Theatre); Here’s What She Said To Me (Utopia Theatre/Crucible Theatre); Random (Synergy Theatre Project); Iya Ile (The first wife) (Soho Theatre/Tiata Fahodzi – Olivier Award nomination); Treasure Island (Theatre Royal Haymarket); Little on the Inside (Edinburgh Fringe Festival); Hoard, Octagon (Arcola) and The White Card (Northern Stage/Manchester HOME/Soho Theatre).

Her credits also include serving as Co-Producer of the Sickle Cell Collective and Associate Director on the eagerly awaited play Crescent Cell Sickle Moon, written by Mojisola Adebayo.

Llewella Gideon

Auntie Maggie

Theatre credits include: Care (Young Vic); Going for Gold (Park Theatre/Daphne Hackett Theatre, Barbados); Marys Seacole, The Vote (Donmar Warehouse); The Long Song (Chichester Festival Theatre); Faith, Hope, Charity (European Tour); Birthday (Royal Court); Play Mas (Orange Tree); Family Man (Stratford East) and The Architect (Actors Touring Company GDIF).

Television credits include: Eastenders, Mr Loverman, Boarders, Queenie, Top Boy, Gangsta Granny Strikes Again, Mrs Sidhu Investigates, Christmas Carole, Small Axe Mangrove, The Real McCoy, Absolutely Fabulous, Nighty Night, Game Face, Millie In Between, Still Open All Hours, Delivery Man, The Bleak Old Shop of Stuff, Holby and Casualty.

Films credits include: Where He Sleeps, Rye Lane, Paddington, A Street Cat Named Bob, My Jerome, Black Sea, Second Coming, Before I Go to Sleep, Manderlay, Nativity, Absolutely Fabulous – The Movie and Harry Hill – The Movie.

Animation credits include: Jo Jo and Gran Gran Series 1–3, Bob The Builder and Zog.

Radio and narration credits include: Comedy School, Bob the Builder, CBeebies Storytime, Between the Lines, Beauty of Britain, The Little Big Woman Radio Show Series 1–3, Lenny Henry Up Next, Emerald Green, Giles Wembley Hogg Goes Off, The Mayor of Balham and JoJo and Gran Gran.

Writing credits include: Afternoon Play: Fruit Salad and The Little Big Woman Book.

Ava Hinds-Jones

Anita

Ava is a LAMDA graduate. She starred as Billy in Ben Wheatley’s TV series, Generation Z for Channel 4. She recently embarked on a US tour of Hamnet with the RSC, and was seen in ITV drama, Believe Me and Silent Witness for the BBC. Upcoming credits include Death in Paradise.

Radio credits include Underground for Radio 4.

Gary McDonald

Uncle Vincent

For Kiln Theatre: A Raisin in the Sun and Wine in the Wilderness and Water.

Theatre credits include: Oedipus (Wyndhams Theatre); Hardtime Pressure, Heroes Welcome, Gregory Motton’s Downfall, Some Singing Blood, Been So Long, Choir Boy (Royal Court); The Importance of Being Earnest (The Tyne Theatre/Bloomsbury Theatre); Macbeth, Black Poppies, Blood Wedding, Market Boy (National Theatre); Great Big Shame (Theatre Royal Stratford East); Lobby Hero (Donmar Warehouse/New Ambassadors Theatre) and Sitting in Limbo (Watford Palace Theatre).

Television credits include: London’s Burning pilot, EastEnders, Valentine Falls, Thief Takers, Brothers and Sisters, Dreamteam, Numb3rs, Airforce One is Down and Steal.

Film credits include: Shooting Stars, Secrets and Lies, All or Nothing, Until Death, The Shepard, Airforce One is Down, Outpost – Black Sun, Lapse of Honour, The Lost Ones, 5lbs Of Pressure, A Miracle Before Christmas, Voodoo Macbeth, The Adventures of Thomasina Sawyer, Private Number and Queens English.

Dani Moseley

Lorraine

Born and raised in South London, Dani Moseley has been working professionally in the creative industry for nearly 20 years as a director, voiceover artist and an award-winning actress and writer. She is most recognised for her performances in BAFTA-winning TV series Dreaming Whilst Black and the Tony-winning, UK transfer of Jaja’s African Hair Braiding at the Lyric Hammersmith.

Further screen credits include: The Kitchen, We Are Lady Parts, Big Boys, Ladies First and award-winning short film You & Me Makes Three, currently on the global film festival circuit.

Javone Prince

Robert

Javone Prince is a BAFTA nominated actor who hashad starring roles across stage, film and television.

For Kiln Theatre: Loot.

Theatre credits include: Measure for Measure, Titus Andronicus, Richard III (RSC); The Suicide, Statement of Regret, Burn, Chatroom, Citizenship (National Theatre); Sugar Mummies, 93.2 FM (Royal Court); Blackta, In The Red and Brown Water, Raisin In The Sun (Young Vic); One Flew Over The Cuckoo’s Nest (Old Vic); Ìyà-Ilé (Soho Theatre); Out of Fog (Almeida) and The Happy Tragedy of Being Woke (Complicité).

Television credits include: Dodger, The Javone Prince Show, Inside No. 9, Rev, The Verdict, Outnumbered, Flat TV, Midsummer Night’s Dream, My Family, Little Miss Jocelyn, Still Open All Hours, Sticky, Verbatim, Life’s Too Short, The Dumping Ground, Sorry, I’ve Got No Head, Horrible Histories, Hank Zipzer, Plebs, Timewasters, The Bill, Three Little Birds, PhoneShop, Maxxx, Babylon, Find Me In Paris and Drunk History.

Film credits include No Time to Die.

Natasha Gordon

Writer

Nine Night was Natasha Gordon’s debut play. It was first produced at the National Theatre in April 2018 before transferring to Trafalgar Studio in 2019. In 2022 the play received its US premiere at the Round House in Washington DC and a revival was produced by Leeds and Nottingham Playhouses in the UK. In 2018 Natasha won the Charles Wintour Award for Most Promising Playwright at the Evening Standard Theatre Awards as well as the Critics’ Circle Award. Nine Night was also nominated for an Olivier Award for Best Comedy in 2019. Her stage adaptation of Bernardine Evaristo’s novel Mr Loverman will be staged at the National Theatre in spring 2027.

Natasha trained as an actor at Guildhall School of Music and Drama.

Acting credits include:

For Tricycle/Kiln Theatre: Red Velvet (also St Ann’s Warehouse).

Theatre credits include: Nine Night (Trafalgar Studios); The Low Road, Clubland (Royal Court); Mules (Young Vic) and As You Like It (RSC).

Film and TV credits include: Dough, Line of Duty, You, Me and the Apocalypse and Danny and the Human Zoo.

Amit Sharma

Director

Amit Sharma is Artistic Director of Kiln Theatre where he directed Please Please Me, The Purists, Pins and Needles and the critically acclaimed sell-out run of Retrograde. Before joining Kiln Theatre as Associate Director, he was previously Deputy Artistic Director of Birmingham Rep, Associate Artistic Director at the Royal Exchange, Manchester, and Associate Director at Graeae Theatre Company where his journey into theatre began. Sharma directed two productions at the National Theatre – The Solid Life of Sugar Water (Graeae Theatre Company/Theatre Royal Plymouth co-production) and The Boy With Two Hearts (also Wales Millennium Centre). He also co-directed Prometheus Awakes, one of the largest outdoor productions featuring deaf and disabled artists as part of the London 2012 Cultural Olympiad (Graeae Theatre Company/Greenwich + Docklands International Festival/Stockton International Riverside Festival/La Fura Dels Baus), and Aruna and the Raging Sun in Chennai, India as part of UK/India Year of Culture 2017. He is an international award-winning director of theatre and television.

Sharma is a BAFTA-nominated director for his two films which were part of the Criptales season on BBC and BBC America. He also co-directed the award-winning BBC and Netflix television drama Then Barbara Met Alan (Best Single Drama, 2023 Broadcast Awards). He began his training at Graeae Theatre Company with Missing Piece 1. His other theatre credits include One Under (Graeae Theatre Company/ Theatre Royal Plymouth), Cosmic Scallies (Graeae Theatre Company/ Royal Exchange Theatre) and Iron Man (Graeae Theatre Company/ international tour). His other television work includes Hamish and Thunderbox.

Libby Watson

Set & Costume Designer

Libby trained at Bristol Old Vic Theatre School and has a 1st Class BA Hons degree in Theatre Design from Wimbledon School of Art. She has designed extensively in the UK and abroad. Libby designed the premiere of Katori Hall’s The Mountaintop in the West End which was the winner of 2011 Olivier Award for Best Play.

For Kiln Theatre/Tricycle Theatre: Manic Street Creature, Es and Flo (also Wales Milennium Centre), Gem of the Ocean, Blues for Mr Charlie, Radio Golf and The War Next Door.

Theatre credits include: Tiger Country (Guildhall School of Music & Drama); L’elisir d’amore, Samson and Delilah (Dorset Opera); Gang of Three (Kings Head/UK Tour); The Rat Trap (Park Theatre); The Fellowship (Hampstead Theatre); Blonde Bombshells of 1943 (Hampstead Theatre/UK Tour); Tony the Rock Opera (Leicester Square Theatre/UK Tour); Kvakk!?! (Rogeland Teater Norway); Glitterball, Deranged Marriage, Break the Floorboards, Laila (Rifco/Watford Palace/UK Tour); Bring It On (Queen Elizabeth Hall London); Toast by Nigel Slater (The Other Palace/UK Tour); Being Mr Wickham (Live Stream/UK Tour/59E59, New York); Dr Faustus (Sam Wanamaker Theatre); Trolle and Helt Privat (Kilden Theatre, Norway); Earnest?! (Underbelly, The Peacock/Adelaide/UK Tour); The Philanthropist (Trafalgar Studio); A Midsummer Night’s Dream (New Wolsey Theatre); Once (Wolsey/UK Tour); Daisy Pulls it Off (Park Theatre); Peter Pan (Misi Producciones Bogota Columbia); Fences (Duchess Theatre/Theatre Royal Bath); One Man Two Guvnors, Guys and Dolls, Sweet Charity, It’s a Wonderful Life (Wolsey Theatre); Les Femmes Savantes, The Miser (Belgrade Theatre); Propaganda Swing (Belgrade/Nottingham Playhouse); Rudy’s Rare Records (Birmingham Rep/Hackney Empire); Feed the Beast, Hysteria (Birmingham Rep); Frankie and Johnny (Chichester Festival Theatre); History Boys (UK Tour); Play Mas (Orange Tree); Three Sisters (UK Tour); Monkey Don’t Stop No Show (Sheffield Crucible/UK tour); BlestBe The Tie and What’s in the Cat (Royal Court).

Film credits include: Alexander Pope Discovering a Genius, Tell Me You Love Me (short) and costume for the London shoot of How to Make a Killing.

Commercial credits include: Burgess yachts, Aesop Gift Sets and Aesop Lucent Aurner and Eleos.

Rory Beaton

Lighting Designer

Rory is an award-winning lighting designer whose work can be seen globally.

For Kiln: Please Please Me, Pins & Needles.

West End theatre credits include: The Merchant of Venice 1936 (RSC/Criterion Theatre); For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy (Royal Court/ Garrick Theatre); The Time Traveller’s Wife (Apollo Theatre); Burlesque The Musical (Savoy Theatre) and Your Lie in April (Harold Printer Theatre).

Further theatre credits Include: Disney’s High School Musical (Wembley Troubadour); Sweeney Todd (Birmingham Rep); Jews. In Their Own Words (Royal Court); Charlie and the Chocolate Factory (Global Tour); Johannes Radebe – Finally Home (UK Tour); Midnight: A New Musical (Sadler’s Wells East); The Lord of the Rings (Chicago, New Zealand, Australia, Singapore, UK); Jesus Christ Superstar (Watermill); Tom Fletcher’s The Creakers (Southbank/Theatre Royal Plymouth); Little Shop of Horrors (Hope Mill/Liverpool Playhouse) and Grayson The Musical (Soho Walthamstow).

www.rorybeaton.co.uk

Mwen

Sound Designer & Composer

Mwen is a Sound Designer and Composer working across theatre, music production and live audio-visual performance.

Theatre credits include: Cowbois (RSC/ Royal Court); Sonders (Daniel Kaluuya’s Centre 59 – Roundhouse); Much Ado About Nothing (National Youth Theatre); Dismissed (Soho Theatre) and Key Workers Cycle (Almeida Theatre).

Alongside their theatre work, Mwen has performed at Southbank Centre, Somerset House and Glastonbury Festival, as well as on international tours. Their compositions and productions have received airplay on BBC Radio 1, BBC Radio 6 Music, XFM, NTS and Rinse FM, and have been synchronised for television and fashion films. Mwen was a 2023–24 Sounding Change Artist Residency grantee with the University of Birmingham’s Music Department and received an Arts Council England Developing Your Creative Practice grant in 2025. Their current practice extends into immersive audio-visual performance, combining sound, visuals, movement and interactive technology.

Kloé Dean

Movement Director

Kloé Dean is a choreographer, movement director and creative consultant working across live performance, film, television and theatre. Her work is recognised for its clarity, bold physical language and emotional intelligence, bringing movement-led storytelling to stages and screens internationally.

Kloé’s work is inseparable from her identity as a performer. With over 20 years performing and creating, she works from inside the body, not just from the outside looking in.

Kloé has collaborated with leading music artists including Little Simz, Anne-Marie, Nao, Cleo Sol, SAULT, Giggs, Leigh Anne, Kojey Radical, Ezra Collective, Little Mix and Wizkid.

Selected screen and broadcast credits include: NFL Halftime Performance (UK), Paris Has Fallen, Supacell, The BRIT Awards, The MOBO Awards, Glastonbury Festival, BBC Big Weekender, The Jonathan Ross Show and Lewis Hamilton: Another Dream Come True.

Selected theatre credits include: Afronauts (Royal Court); Bloodsport, Tambo and Bones (Theatre Royal Stratford East); Marie & Rosetta (Soho Place/UK Tour); Jaja’s African Hair Braiding (Lyric Hammersmith); The Boy at the Back of the Class (Rose Theatre Kingston); Wallace (Scottish Tour); The Koala Who Could (UK/Asia Tour); Liberation (Royal Exchange Manchester) and Our Mighty Groove (Sadler’s Wells East).

Selected commercial and brand collaborations include: Red Bull, Timberland, Nike, Jimmy Choo, Marks & Spencer, Yazoo, ASDA George, Star Alliance and Airtasker.

Hazel Holder

Voice & Dialect Coach

Hazel Holder is a voice and dialect coach and actor.

For Kiln: The Lonely Londoners, The Purists, Mlima’s Tale, Retrograde, The Wife of Willesden, Pass Over and The Father.

Theatre credits include: Bacchae, Alterations, The Importance of Being Earnest, A Tupperware of Ashes, The Grapes of Wrath, The Hot Wing King, Death of England Trilogy, The Effect, Grenfell: in the Words of Survivors, Blues for an Alabama Sky, Barber Shop Chronicles, Angels in America (National Theatre); People, Places & Things (National Theatre/Trafalgar Studios); Stereophonic, The Glass Menagerie (Duke of York’s); Mrs. Warren’s Profession, Unicorn (Garrick); The Seagull (Barbican); Waiting for Godot (Theatre Royal Haymarket); Long Day’s Journey Into Night (Wyndham’s Theatre); Sunset BLVD., Dreamgirls (Savoy); Best of Enemies (Noël Coward/Young Vic); Death of a Salesman (Piccadilly Theatre/Young Vic); Cock (Ambassadors); Constellations (Vaudeville/ Donmar); Juniper Blood, Intimate Apparel, Clyde’s, The Doll’s House Part II (Donmar); 2:22 (Noël Coward/Apollo); Uncle Vanya (Harold Pinter); Tina: The Tina Turner Musical (Aldwych); Jitney (Old Vic); Ulster American (Second Half Productions), Giant, seven methods of killing kylie jenner, ear for eye, Pigs & Dogs (Royal Court); The Homecoming, Fairview, The Convert (Young Vic); Not Your Superwoman, August in England (Bush Theatre); Richard II (Sam Wanamaker Playhouse) and Brigadoon (Regent’s Park Open Air Theatre).

Television credits include: A Thousand Blows, Silo, The Power, The Baby and Small Axe.

Film credits include: The Ministry of Ungentlemanly Warfare, Aisha, The Silent Twins and Death on the Nile.eorge, Star Alliance and Airtasker.

Claudette Williams

Voice & Dialect Coach

Selected theatre credits include: Three Men in a Boat, Emma, The Caucasian Chalk Circle (Rose Theatre Kingston); Never Let Me Go (Rose Theatre/Bristol Old Vic/Royal & Derngate); Bloodsport, King Hedley II, Kingston 14 (Theatre Royal Stratford East); Small Island (Leeds Playhouse/Birmingham Rep/ Nottingham Playhouse/Actors Touring Company); Three Sisters (Birmingham Rep); Mother Courage and Her Children (Nottingham Playhouse); Syncopated (Liverpool Everyman/Tawala); Takeaway (Liverpool Everyman); Macbeth (Shakespeare’s Globe); The Secret Life of Bees (Almeida Theatre); Trouble in Butetown (Donmar Warehouse); To The Streets! (Birmingham Hippodrome); Get Up, Stand Up! The Bob Marley Musical (Lyric Hammersmith); Fences (Duchess Theatre); Josephine and I (Bush Theatre); The Convert (Gate Theatre); Five Guys Named Moe (Festival Theatre Edinburgh); Hamlet (Black Theatre Live/Watford Palace Theatre) and MJ The Musical (Prince Edward Theatre).

Screen credits include: Queenie, Three Little Birds, The Long Shadow, The Long Song, Yardie, Jonah, I Am Slave and Passing.

Julia Horan CDG

Casting Director

For Kiln/Tricycle: Two Strangers (Carry a Cake Across New York) (also Criterion Theatre), The Wife of Willesden (also BAM/ART Boston), Girl on an Altar, Pass Over, Red Velvet (also Garrick Theatre/St Ann’s Warehouse).

Recent theatre credits include: School Girls; or the African Mean Girls Play, Tipping the Velvet (Lyric Hammersmith); Tambo & Bones (Theatre Royal Stratford East); A Little Life (Harold Pinter Theatre/Savoy); Romeo & Juliet, The Clinic, A Streetcar Named Desire, Macbeth, The Duchess of Malfi, Three Sisters, The Wild Duck, Machinal, The Writer, The Treatment, Oil, Uncle Vanya, Medea, Game, Mr Burns, Before the Party (Almeida Theatre); The Doctor (Almeida/Duke of York’s/Park Ave Armory, New York);The Twilight Zone (Almeida Theatre/Ambassadors Theatre); Summer and Smoke, Mary Stuart (Almeida Theatre/Duke of York’s Theatre); Oresteia (Almeida Theatre/ Trafalgar Studios/Park Ave Armory); Hamlet, Chimerica (Almeida Theatre/Harold Pinter); Sons of the Prophet (Hampstead Theatre); The Jungle (Young Vic Theatre/Playhouse Theatre/ Curran, San Francisco/St Anne’s Warehouse, New York); A View from the Bridge (Young Vic/ Wyndham’s Theatre/Kennedy Centre, New York); The Events (Actors Touring Company/ Young Vic); Blood Wedding, Jesus Hopped the ’A’ Train, Fun Home, Yellowman, Wings, Life of Galileo, Once in a Lifetime, Blue/Orange, The Trial, Ah, Wilderness, Man, Happy Days, Public Enemy, The Shawl (Young Vic); The Inheritance (Young Vic Theatre/Noel Coward Theatre); Yerma (Young Vic Theatre/Park Ave Armory) and Cat on a Hot Tin Roof (Young Vic Theatre/Apollo Theatre).

Recent television/film credits include: Together (BAFTA Winner Single Drama), Hamlet, Why It’s Kicking Off Everywhere, The Exception, Departure and The Trial – A Murder in the Family.

Jordi M. Carter

Associate Director

Jordi M. Carter (he/him) is a Caribbean-British director from Streatham, South London.

Directing credits include: August Wilson’s Seven Guitars (LAMDA); The Rise of Josephine Baker, Dead Internet (Riverside Studios); Brink (Almeida Theatre); …Before I Wake (Daniel Kaluuya’s Centre 59 – Roundhouse); Pause/ Rewind (Bush Theatre); His Name (Contact Manchester); Aromatherapy (Talawa Theatre Company) and The Government Inspector (Lyric Hammersmith/Wimbledon College of Arts).

As Associate Director: Marie & Rosetta (Rose Theatre Kingston/English Touring Theatre/ Chichester Festival Theatre/@sohoplace); Friendsgiving / The Mending Circle (Lyric Hammersmith – Bill Cashmore Award).

As Assistant Director: Animal Farm (Theatre Royal Stratford East/Leeds Playhouse/Nottingham Playhouse – Olivier Award-nominated) and We Need New Names (UK Tour – New Perspectives/Fifth Word/ Brixton House Theatre).

Training includes: Fresh Direction (Young Vic); The Knot (New Diorama Theatre/Guildhall School of Music & Drama/Uproot Productions) and Developing Your Creative Practice – Theatre Directing (Arts Council England).

Jordi was formerly a Trustee of Chichester Festival Theatre, Lambeth Baylis Trustee at The Old Vic, Co-Artistic Director/CEO of Boundless Theatre, and Young Associate at the Young Vic.

jordimcarter.com | @jordimcarter

Jon Aaron

Fight Director

Trained at The Old Globe (MFA) and LAMDA (MA).

Fight direction credits include: Seven Guitars, Fight Night 2024 & 2025 (LAMDA); Orpheus Descending (Cockpit Theatre) and Treehouse (Green Room Theatre). Certified in Hutton Sabre, 18th Century Smallsword, and Unarmed (BGSC). Jon has a background in Muay Thai, Boxing, and Dutch Kickboxing, and teaches stage combat at LAMDA.

Acting and voice credits include: Orpheus  Descending (Cockpit Theatre); Masters of the Universe, How to Write a Love Story and Cartier.

Isobel Pellow

Costume Supervisor

Isobel Pellow trained at London College of Fashion.

For Kiln: Coven, The Ballad of Hattie and James, Mlima’s Tale, Retrograde (also Apollo Theatre) and Girl on an Altar.

Other theatre includes: The Curious Incident of the Dog in the Night-Time (Birmingham Rep/UK Tour); Hansel and Gretel, Tristan Und Isolde (Longborough Festival Opera); A Midsummer Night’s Dream (The Unicorn Theatre); Hamlet (Chichester Festival Theatre); Poor Clare (Orange Tree Theatre); 4.48 Psychosis, More Life (Royal Court Theatre); Princess Essex (Shakespeare’s Globe); Kathy and Stella Solve A Murder (Ambassadors Theatre); Bronco Billy (Charing Cross Theatre); Jack and the Beanstalk (Stratford East); The Walworth Farce (Southwark Playhouse Elephant); A Christmas Carole (Southend Palace); Alice in Wonderland (Brixton House); The Memory of Water, Blackout Songs (Hampstead Theatre); House of Flamenka (Peacock Theatre); Green Eggs and Ham (Opera North); The Sweet Science of Bruising, Britten in Brooklyn (Wilton’s Music Hall); Four Play and Clickbait (Theatre 503).

Tevae Humphrey

Wigs, Hair and Make-Up Supervisor

Tevae Humphrey is a hair and make-up artist for both Theatre and TV. Prior to working in TV and theatre she was a stylist, colourist and afro specialist.

Theatre credits as WHAM designer include: The Love Book (Sadlers Wells) and Pig Heart Boy (UK Theatre Award for Best Show for Children & Young People).

Theatre credits as Hair or Hair and Make-up supervisor include: Two Strangers (Carry a Cake Across New York) (Criterion Theatre) and Kathy and Stella Solve a Murder (Ambassadors Theatre)

Theatre credits as Head of Department include: The Importance of Being Earnest (Noël Coward Theatre); Jaja’s African Hair Braiding, School Girls; Or, African Mean Girls Play (Lyric Hammersmith); Bronco Billy (Charing Cross Theatre) and Sylvia (The Old Vic).

Theatre credits as Hair consultant include Message in a Bottle (Zoo Nation UK Tour).

Other credits include: Six (Arts Theatre); The Estate, Here We Are (National Theatre); Once On This Island, La Cage Aux Folles, Once on This Island (Regents Park Open Air Theatre); Secret Life of Bees (Almeida Theatre); Strange Loop (Barbican theatre) and various shows at The Royal Opera House.

Television credits include: Eloise, Reputation, Bridgerton Season 4, Horrible Science, We Are Lady Parts Season 2, Dreaming While Black and Too Much.