Kiln Theatre presents
PASS OVER
by Antoinette Nwandu
“Deez streets uh violence. Streets uh anger. Lead deez boys on to dat promised land.”
A lamppost. A street corner. But also a plantation. But also a city built from slaves.
Moses and Kitch wake every morning. Stuck. Hoping to escape. Hoping to move on. Hoping for a promised land. Hoping to pass over.
An epic mash up of Waiting for Godot, the Exodus and stories ripped from the daily headlines, Antoinette Nwandu’s fierce and politically charged new play exposes the experiences of young black men in a world that refuses to see them.
Important Information
WE REGRET THAT ALL PERFORMANCES OF PASS OVER ARE CANCELLED. More information here.
PLEASE NOTE Rows P-U in Stalls aren’t easily accessible
Age Guidance 16+
Content Advice click here
Post Show Discussion 26 Mar 20
Ticket Prices
£15 – £32.50
Booking Information click here
Duration
80 mins
Dates
13 Feb – 4 Apr
A devastating force and a poeticism that dazzles
An evening of theatre that manages to be existential, emotional, politically urgent and often deeply comic.
Electrifying, fiercely relevant and compelling. If, in these times, we are ever more in need of powerful and provocative political theatre, here it is.
A searing fusion of politics and poetry: playful, unsettling, blazingly angry and desperately sad.
Gershwyn Eustache Jnr is an achingly vulnerable Kitch. Paapa Essiedu is masterclass level as Moses, electrifyingly wired and wary’
Powerful, entertaining, meticulously physical, superbly directed
‘Waiting for Godot’ is updated for the Black Live Matter era in this excellent play from Antoinette Nwandu.
I will be thinking about this play for a long time and urge everyone to watch it. It is funny, painful, honest and necessary
A witty, humorous gem of theatre
In this day and age we really need art that challenges the way things have been done and isn’t afraid to ask the big questions – Pass Over does exactly that, with some brilliant acting performances too.
This searing play demands to be seen. If ever there was a play that audiences should listen to, this is it.
Powerful 80-minute drama. The fiercest account of racism on the London stage.
This electrifying, energetic and hard-hitting production is worth seeing.
Tense and compelling. Begs to be watched in person, and up close.
Creative Team
Indhu Rubasingham
Director
Robert Jones
Designer
Oliver Fenwick
Lighting Designer
Ben & Max Ringham
Composers and Sound Designers
Lanre Malaolu
Movement Director
Julia Horan CDG
Casting Director
Hazel Holder
Voice and Dialect Coach
Kevin McCurdy
Fight Director
Anna Bliss Scully
Costume Supervisor
Anthony Simpson-Pike
Assistant Director
Julia Slienger
Company Stage Manager
Helen Fletcher
Deputy Stage Manager
Kate Kenah
Assistant Stage Manager
This production is supported by:
Adam Kenwright